The
following resource raises interesting questions about assumptions around
representation in the use of creative methods:
Coad, J., Plumridge, G., &
Metcalfe, A. (2009) Involving children and young people in the development of
art-based research tools. Nurse
Researcher 16 (1) 56-64.
In
the above article, the authors describe the process of working with children
and young people to develop art-based activities for use in a study exploring
how children and young people communicate with their families about genetic
conditions – a research area not previously explored using creative methods.
Within the article, Coad et al. (2009) briefly highlight methodological issues
about children and young people’s participation and some challenges for their
research.
Coad
et al. (2009) advocate art-based methods based on the idea that they are more
relevant to children and young people than ‘traditional’ research methods, and
avoid adult-dominated perspectives that see children as ‘objects’ of research
rather than active participants. Coad et al. (2009: 59) therefore argue that
the next logical step in promoting a participatory approach was to co-create
research tools with children and young people: ‘if the research was to be
meaningful to the group, it was important that the tools were developed with
the users from the outset’.
In
development of the art-based research tools required for the study, the authors
consulted with youth advisors who were briefed on the study and participated in
workshops to develop two toolkits for ages 8 to 11 and ages 11 to 18. The toolkits
produced are focused on encouraging discussion and comprise of a sticky
bag/board for the younger age group, and a graffiti board for ages 11+.
It
is interesting to note that Coad et al. (2009) acknowledge two pitfalls of this
exercise: (1) Many of the children and young people participating to develop
the toolkits ‘were very articulate and therefore may not have been
representative’ (Coad et al., 2009: 62); and (2) The majority of participants
did not have genetic conditions and therefore did not form part of the target
group who would use the toolkits within the study.
Coad
et al. (2009) report managing these pitfalls by seeking ongoing feedback from
the target research group throughout the study. However, is this satisfactory?
Lomax
(2012) argues that ‘child-led’ visual research methods can overprivilege the perspective
of ‘the all-knowing and all-seeing child’ (106) and can therefore be
homogenised by researchers who are supposedly trying to better appreciate the
viewpoints of children and young people by using ‘child-centred’ creative
methods.
It
seems that Coad et al. (2009) fall into this trap – In their study, youth
advisors are in a position to develop research tools for use with other
children and young people, by virtue of being children and young people
themselves, rather than by virtue of sharing an experience in common with the
target research group.
REFERENCES
Coad,
J., Plumridge, G., & Metcalfe, A. (2009) Involving children and young
people in the development of art-based research tools. Nurse Researcher 16 (1) 56-64.
Lomax,
H. (2012) Contested voices? Methodological tensions in creative visual research
with children. International Journal of
Social Research Methodology 15 (2) 105-117.
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